This painting is based on drawings made in the Lammermuir Hills in midwinter, where Rae found “incredible sunset-quality colours: inky blues, pale mauves and lavenders, pink fluffy clouds… The feeling, the atmosphere of pink, indigo and purple was there”. The painting was completed in one sitting at Rae’s studio in 1997, and presented to the RA later that year.
Публикация участника Vivek Vadkar
Learn art SHARE ART It Is All Just Shapes, Lines, and Colors This goes for every type of painting. You should try to think about the elements in your scene not as clouds, trees, water, and grass but rather as various shapes, lines, and colors. If you focus on painting these shapes, lines, and colors then you should (with proper execution) have a painting that looks like your landscape. If, instead, you start trying to paint clouds, trees, water, and grass, then you may end up painting from your imagination rather than what is actually there. As a result, your trees may end up slightly more green than they actually are. Or the sky bluer. #learnart #painting #clouds #water #like #buyart #oiloncanvas #canvas #SHARE #ART #status #available Dm 09423378026
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Upcoming exhibition from 20th Nov to 26th Nov 2023 @Mumbai For more details DM please #art #buyart #exhibition #paintings
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art project Upcoming art exhibition in Mumbai.. #horses #painting #oiloncanvas #progress This relates to the current trends towards. Art exhibition
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Alexander Cozens
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Russian-born Alexander Cozens was fascinated by the sky, and made charts of different types of sky and clouds which he reproduced as etchings. A drawing master at Eton, his etchings were intended to aid amateur artists painting landscapes – he made 20 studies of skies which were copied by John Constable after his death.
John Constable RA
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John Constable liked to climb to the high points of Hampstead Heath to paint his many cloud studies, wanting his canvas to be lit by the very sky he was painting on it. He often recorded precise details on the reverse of the works. This one is inscribed: “Hampstead, Sept 11, 1821. 10 to 11 morning under the sun – Clouds silvery grey on warm ground sultry. Light wind to the S.W. fine all day – but rain in the night following.”
John Constable
Rainstorm over the Sea , c.1824-28
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This very different landscape by Constable depicts Brighton’s coastline as he saw it when his wife Maria had been sent there for fresh air to help her tuberculosis around 1824-28. During his many visits to the city, Constable practised rapid sketches of the sea and sky while sitting on the beach – a paint box balanced on his knees and a sheet of paper pinned to the lid. Here, the figures and boats often present in Constable’s sketches are nowhere to be seen among his bold brushstrokes.
