We have been painting houses in Perth, WA since 2015 and worked with hundreds of clients putting hundreds of thousands of painting coatings. So, we always recommend that you find a professional painter and sit down with them before finalising your living room paint colour scheme.
How Music Motivated Artists from Matisse to Kandinsky to Reinvent Painting
Stuart Davis, Hot Still-Scape for Six Colors — 7th Avenue Style , 1940. © 2019 Estate of Stuart Davis / Licensed by VAGA at Artists Rights Society (ARS), NY. Courtesy of the Museum of Fine Arts, Boston.
The modern artists wanted to be musicians. So it seems, at least, judging from the titles of their paintings. The “Nocturnes” painted by James McNeill Whistler toward the end of the 19th century have as much, if not more, to do with Chopin’s solo piano compositions of the same name than with the night time scenes they depict. Paul Klee’s geometric abstraction, Polyphony (1932), bespeaks a boundless passion for Bach’s polyphonic choral works. Later avant-garde masterpieces gloried in the popular jazz music of the day, from Stuart Davis’s Swing Landscape (1938) to Piet Mondrian’s Broadway Boogie Woogie (1942–43) to Henri Matisse’s Jazz Suite (1947). A list of modern-art milestones almost reads like a timeline of Western music.
The visual arts have always been influenced by music, and vice versa. From the late 19th century to the middle of the 20th century, however, Western artists sought something more than the usual symbiosis between art forms. They strained to evoke music’s rhythms, structures, and tones in their work—in short, to transform oneart form into another. If the avant-garde project of merging painting with music never quite achieved its goals or made complete sense to begin with, so much the better—few quixotic quests have failed so interestingly.
Henri Matisse
Jazz – Pierre Beres, 1959
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Henri Matisse
‘L’AVALEUR DE SABRES (JAZZ), 1947
Gerrish Fine Art
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You can’t talk about music and modernism without mentioning Walter Pater, the prolific 19th-century man of letters who is largely remembered for a single sentence he wrote in 1877: “All art constantly aspires towards the condition of music.” One interpretation of Pater’s observation is that music is the only art whose form and content are not just inseparable, but the same. This makes music fundamentally different from traditional Western painting, in which the same content can take hundreds of forms. The reason painting and music differ, Pater went on to argue, is that painting is mimetic (i.e., it tries to approximate the appearance of the physical world), and music is not.
Pater was writing at the dawn of the modern art revolution when literal representation was being purged from art and literature like pests from an old, dirty house. Abstract painters, abandoning the notion of a subject in favor of pure form, needed some rationale for their experiments. Small wonder so many of them looked to music.
Piet Mondrian
Broadway Boogie-Woogie, 1957
Artsnap
To study the modern canon closely is to discover a host of ingenious solutions to an unsolvable problem: how to recreate visually what music does sonically. Swiss-born Paul Klee had been a violin prodigy before he turned to paint, but his knowledge of music animates virtually all of his best work. A dense, kinetic composition like May Picture (1925) feels like the oil-on-cardboard version of a Baroque counterpoint, with Klee’s bright squares providing the same a-ha! moment as the voices of a chorus sliding above and below one another.
In the 1910s, Klee was a loyal member of The Blue Rider, a group that also included Franz Marc, Albert Bloch, and Wassily Kandinsky. Though Kandinsky did not coin the word “synesthesia,” he helped popularize it by arguing—passionately, if not always coherently—that the greatest art should foster an overwhelming, multisensory experience in the viewer.
Kandinsky’s body of work represents the most ambitious, the most literal, and, perhaps, the nuttiest attempt to merge art and music. Where the Victorian Pater’s notion of the relationship between painting and music was hierarchical, Kandinsky’s was downright anarchistic: nothing less audacious than a completely new language, with music, literature, and art dissolving into a big, glorious mess. His unrealized theater piece wasn’t called “The Yellow Sound” for nothing.
Choosing Living Room Paint Colour Schemes
The more innovative the paint ideas, the more they can add a special beauty to your living room.
However, you must not go wild and try a colour scheme for your house that would regret in a few week’s time.
It’s time to get creative with colour and transform your space with the aid of a collection of motivating and trendy living room colour ideas, whether you’re looking for living room paint ideas to give your existing space a colourful refresh or are in need of colour inspiration for a completely new design scheme.
Consider the orientation of your room when choosing living room paint colours.
Living rooms with an east or north orientation will require warmer colours than those with a south or west orientation. Similar to well-lit rooms, dimly lit spaces will benefit from lighter hues, unless you purposefully desire to make your living room dark and cosy.
Below is the list of some living room paint colour schemes that I have put together for you to consider.
Vibrant Feature Wall
Your preferred colour in various tints will breathe new life into your cosy living space.
In this design, a strong orange is blended with a gentler, pale apricot, followed by a dazzling white.
This design really pushes the envelope, but I don’t object to it! And if you’re the type of person who likes to explore new things, why not do so?
Mustard Yellow
Mustard yellow is an additional preferred option for your living room paint colour. If you want to design a place similar to this, incorporate earthy hues like cream or chocolate and lots of greenery to balance the tenderness of the yellow.
Jamaican Blue
Your living room, one of the primary rooms in the house, should be considered a blank canvas for an energetic and upbeat design that embraces your favourite hues and style concepts.
A Jamaican blue backdrop provides a striking contrast to the vibrant room’s combination of vintage and contemporary furnishings. Choosing blue as living room paint colour is soothing and mostly used when commercial spaces are painted.
However, it doesn’t mean you can not or should not be using it as your living room paint colour.
White and Blue
With a variety of lush houseplants, a delicate, pale blue like this looks stunning. Your skirting boards and door frames will also look stylish if you paint them white.
Blue and grey tones
Your living area will feel refined and elegant with grey walls. Moreover, this shade has a tonne of advantages.
Grey is so adaptable and goes with so many various types that it gives the impression that your living space is larger.
The ultimate decision is yours whether to experiment with statement items and flashes of colour or keep things straightforward by sticking to white and grey.
Green Tones
Colour experts have chosen green as one of the top colours to choose when select living room paint colour.
Inspired by the natural world, green frequently produces settings that help us feel more at ease, rooted, and connected to our surroundings.
A wide range of hues, from vibrant and daring to calming pastels, complement green well.
People adore using green and cream together because it is a classic colour combination that can provide depth and structure to two important hues. Adding indoor plants to your living space to create a sense of nature is also lovely.
Green living room ideas offer to restore your relationship with nature, and it is said that the colour green arouses sentiments of tranquillity, energy, and fortune.
A Shade of Olive
The colour green is currently highly popular in home decor, and an olive green tint really stands out. With the green walls as a backdrop, pair it with a dark burgundy couch. The two colours work together to create a fashionable, winter getaway-like atmosphere.
Cozy Brown
An earthy, brown colour scheme is ideal for cosy living room ideas since it follows the timeless interior design trend of drawing inspiration from natural colours.
Decorating with brown can be highly flexible, whether you go for a dark, enveloping shade like the one in the picture above of the beautiful living room created by Studio Indigo.
For a more conventional living room appearance, pair it with deep navy blue or gold. Alternatively, combine it with a more striking accent colour, such as burnt orange or mint green.
When utilised properly, brown can be a hospitable, comforting, and classy colour choice for the home. Brown room ideas are commonly perceived as being uninteresting.
There are a few other factors to keep in mind when choosing and finalising the living room paint colour scheme. Please do understand that it is not a matter of just choosing you must also speak to your painter before going for it.
Contrast
Setting up a room with lots of colourful contrast will not only result in interior design that feels more distinctive, but it can also result in a bolder, more statement look, infusing the area with life and a startling amount of visual intrigue.
Always go to the colour wheel when using contrasting complementary colours if you’re unclear about where to begin.
Primary Palette
Create a living room paint colour plan based on using primary colours to decorate a classy space that is exciting and lively.
Look to design movements from earlier times like Bauhaus for inspiration. Choose complementary hues to give the colours a more natural tone because they need to be strong without being overly dazzling.
