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Black and white painting techniques

Story: If I had to choose between outdoors and indoors, my choice would be indoors. Now when it’s autumn, it’s easy to make the home look like an enchanted place. Just switch off most of the lights, light some candles, and make sure you have houseplants, preferably bonsai trees. They look magical in the dark and bring some outdoors to the indoors as well!


How painting in black and white can improve your art

Painting in black and white can offer a number of benefits. Follow these pro tips to see how it’s done.

Painting in black and white is great, because it makes you concentrate on elements such as composition, value, lighting and form. Of course, colour is a vital step, but the benefit of black and white is that you can focus on the image as a whole.

  • Drawing techniques: 7 fundamentals of pencil drawing

Most of the time I opt for a black and white process. Here, I’m going to use the example of a character design, and run through some simple painting techniques you can use to get your black and white designs up to scratch.

I start out with a simple silhouette and then build up to a refined design. This technique also makes creating any variations on the character very simple too, because there’s no need to worry about interfering with any colours you’ve painted.

Block out the silhouette

First things first – I block out the character’s basic silhouette. I always try and keep things fairly rough at this point and avoid going into any detail too soon. Whether your character is a little kid or a hulking great giant, this is the time to focus on their shape and try and emphasise their character. Experiment with silhouettes until you find one you like.

Once you’ve painted a shape that you’re pretty happy with, it’s time to start adding in some values. When doing this I don’t tend to use any values that are too bright or too dark, I like to keep things subtle while I’m building up the shape. I keep things pretty sketchy and gently add in some subtle shadows and highlights to find the structure of the body.


Add some details

I’m happy with the shape and structure so it’s time to add in details. This is one of my favourite stages and I could happily detail characters all day long. I start to add in those dark shadows and bright highlights to really bring out the form of the character. I stick with a fairly small soft brush, sketch in and then build up those details, refining as I go.

Remember to try and vary the values you’re choosing. You can use bright white highlights right through to dark greys and black. If you just stick to the middle ground and only use grey it can make things look a little flat.


Day 1 – Ring

Technique: A big solid shape in the background. I like to use a brush pen for large black areas.

Inktober 2019, Ring. Art by Paivi Eerola of Peony and Parakeet.

Story: As a teenager, I read Jane Austen’s novels and wondered if those handsome and honorable men really exist. But when I moved to a bigger town to study at the university, I found my Mr. Darcy. Dark hair, brown eyes, doesn’t smile or talk much, but when he does, it’s always worth listening. He looks at my art like Mr. Darcy watches Lizzie playing the piano. He has many skills, but he never brags about them. What others might consider as faults, are what makes him whole to me. So here’s to commitments and true love!

Day 2 – Mindless

Technique: Strong shadowing so that the outlines disappear to the background. It is quite time-consuming but I love the 3D effect.

Inktober 2019, Mindless. Art by Paivi Eerola of Peony and Parakeet. See more black and white art techniques in the blog post!

Story: Instead of mindfulness, I practice mindlessness. I like to think about thinking, imagine the impossible, and when I relax, I knit, because it can be done mindlessly. Pick a circular needle and row never ends – until it’s 3 am and the low energy level makes you stop! The mindless world of imagination where no one needs to do laundry, make dinner, or find a missing sock, is what we humans need every single day. It’s a world of magic that we carry inside us, and no matter how mindless it feels, it’s one of the best things in being alive.

Day 3 – Bait

Technique: Using white space. The earlier I get the idea about the content of the image, the easier it is to leave white space as well.

Inktober 2019, Bait. Art by Paivi Eerola of Peony and Parakeet.

Story: In today’s world, money seems to be everything. Still, we know that there are more precious things like saving the globe. Sometimes I wonder if someone gives us small rewards just to distract our attention from the bigger destruction. Is the world only a big purse waiting for the next coin, or can we stop the fire?

Colin Wynn
the authorColin Wynn

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