$92 ACM Members
$117 Future Members
Mastering watercolor techniques for painting sunflowers
Helen Solomon B
Tuesdays 1:00-3:00
Watercolors are easy if you know how. This class is designed for the watercolor lover that wants to start from the very beginning. You will learn the fundamentals of playing and exploring the basic techniques of mixing and blending colors, how to create a palette, and how to control the opacity of the paint. All in a fun, relaxing afternoon. Step by step through the entire painting process. The instructor provides the references.
S1: Sep 5, 12, 19, 26
S2: Oct 3, 10, 17, 24
S3: Nov 7, 14, 21, 28
S4: Jan 9, 16, 23, 30
S5: Feb 6, 13, 20, 27
S6: Mar 5, 12, 19, 26
S7: Apr 9, 16, 23, 30
$100 ACM Members
$125 Future Members
Sunflowers, Kris Peterson
Kris Peterson I-A
Wednesdays 1:00-4:00
Ocean breezes and sunflowers, a perfect watercolor for Florida. We will be painting flowers backlit from the sun and lace curtains blowing in the breeze. Learn various techniques for easily painting sheer curtains plus instruction on bright sun and dark shadow values.
S1: Oct 11 & 18
S2: Mar 13 & 20
$96 ACM Members
$121 Future Members
Supply List
Seafood Shack, Kris Peterson
Kris Peterson I-A
Wednesday 1:00-4:00
Paint an iconic restaurant in the fishing village of Cortez. We will do a wet-on-wet colorful sunset sky and water. Then paint the Seafood Shack with docks and sailboats in the background.
Techniques will include how to use a spray bottle to keep the paint moving and techniques for painting water and reflections. Painting palm trees with a fan or fur brush will also be covered.
S1: Feb 28
$59 ACM Members
$84 Future Members
Watercolours With Life
A passion for life,nature and watercolour shared in harmony throughout the seasons.
Sunflower created with watercolour and tissue for texture effects.
Work in Progress.
Goodness, I was surprised at how popular my use of tissue paper would be. I had shared my recent work using this technique on my Facebook and Twitter pages as well as on my blog and the questions kept rolling in on how I work this way. Well the funny thing is I started working with tissue paper and watercolour when I lived in Dubai. Years ago. There I worked in watercolour, oil, pastel and mixed media. Often in the mixed media sessions I would use sweet paper or anything at hand to create textural effects and I had all but stopped working with these really old techniques. Until now that is. As I mentioned in my last blog post, this technique isn’t new. It has been around for donkeys years. But perhaps when we have painted for such a long time( as I have ) we tend to assume that everyone has heard of the techniques you pushed to one side many moons ago.
The reason I revived this technique to share was because an artist was desperately struggling to gain an effect they had seen and they just couldn’t get the same results. I suggested they tried using tissue paper as the art effect they were looking at just didn’t seem possible to achieve without it. Even though its’ use had been omitted in the “how to” step by step instructions. We all have to bear in mind that not all artists share every single tip or detail about the results they gain. In fact, I’m always amazed at how secretive some artists can be. I do understand to be honest, if you have developed a fabulous style that you wish to show solely in galleries rather than teach. I do completely understand in that situation. I find artists on my courses want to know everything I use and I freely share all my “unsecret” secrets.
But, back to the tissue. To answer a few questions. I do not use glue at all when working this way. I simply tear pieces of tissue and apply them on a painting where I feel the texture could be improved in the finished piece. Maybe sometimes one tiny piece of tissue could be enough. Over use of tissue paper can make your work look more like a collage than an actual watercolour painting. Once in place I soak the paper literally with colour of my choice. In the sunflower below you will see Cadmium Yellow strongly applied but in the creases of the tissue I have added Quinachridone Gold to enhance the yellow shades.
Remember : Yellow on top of yellow gives you yellow! So be bold with additional colour choices and applications.
Sunflower on my easel using tissue paper to create textural effects.
Work in progress
Let the painting dry and then continue painting on top of it as normal. Use the patterns created by the tissue to form part of your subject. In this case the sunflower petals. And I have really scrunched up tissue for the centre of the flower to give a fascinating focal point.
Experimenting is fun. Learning new and revisiting old techniques is fun also. So give yourself permission to play and who knows where your results will lead you . Hopefully to stunningly gorgeous paintings that are unusual an beautiful.
As I mention to everyone in my classes. I never keep secrets about how I paint. I enjoy sharing the way I work far too much. Life is so much better this way and I always think others could use my ideas and come up with something even more fascinating. So there you go!
