This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Contents: Riders of the Purple Sage (Zane Grey) The Rainbow Trail The Spirit of the Border The Untamed (Max Brand) The Night Horseman The Seventh Man The Virginian (Owen Wister) The Last of the Mohicans (James F. Cooper) The Prairie Chip, of the Flying U (B. M. Bower) The Flying U Ranch The Flying U’s Last Stand Cabin Fever Rimrock Trail (J. Allan Dunn) The ‘Breckinridge Elkins’ Series (Robert E. Howard) The Last of the Plainsmen (Zane Grey) The Outcasts of Poker Flat (Bret Harte) The Wolf Hunters (James Oliver Curwood) The Gold Hunters The Border Legion The Country Beyond (Curwood) The Lone Star Ranger (Grey) Riders of the Silences (Brand) The Call of the Wild (Jack London) Heart of the West (O. Henry) White Fang (London) The Lure of the Dim Trails (Bower) The Luck of Roaring Camp (Harte) The Rustlers of Pecos County (Grey) O Pioneers! (Willa Cather) My Ántonia Roughing It (Mark Twain) The Log of a Cowboy (Andy Adams) The Two-Gun Man (Charles Alden Seltzer) The Law of the Land (Emerson Hough) The Short Cut (Jackson Gregory) Astoria (Washington Irving) The Valley of Silent Men (James Oliver Curwood) “Drag” Harlan (Charles Alden Seltzer) Whispering Smith (Frank H. Spearman) The Outlet (Andy Adams) Reed Anthony, Cowman A Texas Cow Boy (Charles Siringo) The Boss of the Lazy Y (Charles Alden Seltzer) The Golden Dream (R.M. Ballantyne) The Blue Hotel (Stephen Crane) The Long Shadow (B. M. Bower) The Girl from Montana (Grace Livingston Hill) The Hidden Children (Robert W. Chambers) The Way of an Indian (Frederic Remington) The Bridge of the Gods (Frederic Homer Balch) Where the Trail Divides (Will Lillibridge) The Desert Trail (Dane Coolidge) The Bride Comes to Yellow Sky (Stephen Crane) That Girl Montana (Marah Ellis Ryan).
Transmission Image : Visual Translation and Cultural Agency
Transmission Image: Visual Translation and Cultural Agency offers a challenging survey of the burgeoning debate about visual culture in a global perspective.
Bringing together scholarly perspectives on places ranging from China and India to Nigeria, and from the Philippines and Syria to Germany, this volume proposes a truly global outlook on the study of visual culture in both a contemporary and an historical perspective. Addressing key theoretical issues, the contributors cover a wide range of art forms and visual media, highlighting the complex cultural codification of images and its impact on the study of visual culture and globalization.
Избранные страницы
PART II
PART III
AUTHORS
Birgit Mersmann is professor of Non-Western and European Art at the Jacobs University Bremen, and Alexandra Schneider lecturer at the Film Studies Department of Free University Berlin.
Alexandra Schneider is Lecturer at the Film Studies Department of the Freie Universität in Berlin, Germany. She has published a book on home movies (Die Stars sind wir. Marburg: Schüren, 2004) and co-edited several books, including: Flugbilder—Kinobilder vom Fliegen. Muenster: Lit Verlag (2008, forthcoming) and Import—Export. India. Germany. Austria. Berlin: Parthas (2005). Her work has been published in Visual Anthropology, Film History and Montage/av.
Nancy Adajania, Heike Behrend, Hans Belting, Peter J. Bräunlein, Markus Buschhaus, Iris Därmann, Martin Gieselmann, Simone Grießmayer, Anne von der Heiden, Asko Lehmuskallio, Birgit Mersmann, and Beat Wyss.
