This Winsor & Newton series 7 kolinsky sable brush is a luxurious feeling brush, with a tapered point, they are made from the finest kolinsky hairs. This is reflected in the price, but this brush is worth the price tag. Because each brush holds its point so well, you don’t need to buy an extra small size. Medium small sizes such as 4 or six, will retain a sharp point but hold more water.
Create Easy Art with Acrylic Pouring
Have you seen those crafty paint pouring videos popping up all over social media? I’ve been seeing them everywhere and there’s a good reason, acrylic pouring art is just plain fun!
If you have yet to try it, you are in for a treat! Hi friends, it’s Jenny from Paint Yourself A Smile, back to show you how to create easy art using basic acrylic paint pouring techniques! Let’s get started, shall we? First, you’ll need to gather the supplies and prepare your workspace.
Acrylic pouring can be a messy process and paint WILL run off the canvas so take precaution to protect your work surface and floor. I use a plastic drop cloth over my work table. I also use a rectangular pan to catch the bulk of the paint run off. The two dowel rods in the photo above are helpful to lift my canvas.
Here are some basic supplies that are helpful…
Workspace Supplies
- Paper towels, rags and a trash can nearby
- Plastic drop cloth
- Gloves (I don’t use gloves but most rationally minded people do)
- Box or pan to catch excess paint drippings
- Level surface to set the finished painting on to dry
- Canvas or Wood
- Acrylic Paint
- Pouring Medium or Paint Additive such as Floetrol
- Silicone oil or Dimethicone
- Plastic Cups and Stir Sticks
- Strainer
- Scale (optional)
Now that you have some supplies, let’s mix our paint!
Successful fluid art is all about paint consistency. The pouring recipe I prefer is 1 part paint to 2 parts Floetrol. Floetrol is a paint additive found at your local Home Depot. I like it because it’s reasonably priced and easy to come by. As far as what kind of acrylic paint, craft paint, house paint and artist acrylic all work. The difference between craft paint and artist acrylic is, artist acrylic is heavily pigmented and may provide more vibrant color. Also, because heavy body artist acrylics are thicker than craft and house paint, the mix may need to be thinned with up to one-part distilled water.
You can eyeball your ratios, but I prefer to use a scale and measure everything out so the paint mix is consistent. It doesn’t matter whether you add the paint first or the medium first, but it does matter how well you mix it. Floetrol can be lumpy so pour it through a strainer before mixing. It’s also important when you mix your paint to stir and not whip. Whipping creates air bubbles. Air bubbles in the paint can create unwanted craters and speckles on the surface of the painting. To avoid these issues, I let my mix sit for at least 30 minutes (often much longer) to let air bubbles rise to the surface.
After the paint is mixed, 2 to 3 drops of 100% silicone oil may be added to aid in cell creation. Cells are the pretty round shapes formed naturally in fluid artwork. Since cell creation is a natural result of the different color densities reacting to each other, silicone oil is not necessary for this effect. That said, it does help but a word of caution, more oil doesn’t mean more cells. Too much oil will cause drying issues and other problems. Less is more when it comes to silicone.
Now that the paint is mixed and it’s free of air bubbles, it’s time to load the cup. Today’s painting will be a flip cup. There are no rules when layering your colors in the cup but typically white goes in first since it is the heaviest color and when the cup is flipped, the white pulls down through the other colors. I recommend starting with only a 2 or 3 colors to get the hang of it.
Once the cup is loaded set the canvas on top and flip the cup and canvas over together. While you wait for the color to sink to the bottom, add a thin layer of paint mix to the canvas. This will help the colors flow and spread on the canvas after the cup is lifted.
It’s always a surprise to see what pattern is going to form when the cup is pulled away and the paint begins to spread.
At this point, you can pick up the canvas and gently tilt the canvas to help the paint spread. Be careful though, if you tilt it too fast, the cells may fall apart.
Once the paint has covered the canvas to your liking, set the painting on a level surface to dry. If the surface isn’t level, the paint will continue to move and slide right off the canvas.
It takes between 1 and 3 days for a painting to be dry to the touch and up to 4 weeks to be fully cured. When the painting is fully cured, a water-based gloss spray or resin is often used to bring the colors out and give the painting a beautiful glossy finish.
I really do hope you’ll give fluid art a try, it’s crazy fun. For more acrylic pouring projects, check out my youtube channel
Happy creating,
Jenny
Mud painting
Mud painting is a rich, sensory experience – the smell of the mud, the texture, the sounds of mixing it and the different subtle shades. The healing properties of playing with natural properties are amazing!
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Did you know – the first pigments for artists paint came from the earth and there are still artists who make a living using actual mud for their art. Try earth or mud from different areas of your garden or outdoor space to see if you can find different shades of brown. In some areas you may be able to find clay, this will create a grey colour to your art.
You will need
- Bowls
- A handful of earth or mud in each bowl collected from your garden or an open space, be sure to collect clean soil, if you are unsure we would recommend using fresh John Innes compost
- Heavy duty or cartridge paper – if this is unavailable use an area of ground where you don’t mind it getting muddy or where it can be washed away
- Paintbrushes or make your own with nature, see our Painting by Nature activity
- Water
- Washing up liquid (not essential but does make the ‘paint’ flow)
- Food colouring or paint if you want to add some colour
- Place a handful of earth in a bowl and mix with a little water to make a muddy consistency.
- Add a squirt of washing up liquid for a better flow of paint.
- Experiment with different consistencies (add more or less water) to see the effect it has on your painting
- If using colours, less mud, more water will bring out the best colour. Powder paint will give the best effect.
- Paint away!
Layer the details
To start a painting in layers, you might start by blocking in broad shapes. When painting in acrylic or oil, most painters leave the details and highlights until last.
Use masking fluid with watercolour to mask off areas that you want to remain light then peel it off and colour over them at the end.
To paint realistic artworks practise colour mixing
Painting in a realistic style with lots of detail is just as much about accurate colour mixing as it is about achieving those tiny details. Read up on colour theory and learn how to elegantly neutralise the paint to make colours appear as they do in life settings. Details really are just the cherry on the top of a realistic painting, as the impression of realism can be created much more successfully with accurate colour mixing.
The difficulty with watercolour painting, is that watercolour seems to have a mind of its own. Colours can bleed into one another and move across the page in ways you don’t anticipate. You can harness the properties of watercolour and watercolour mediums to make the paint behave how you want it to.
For example, if you’re creating some detailed highlights, you can mask the paper. Use masking fluid or wax resist to prevent watercolour pigment from adhering to, or staining the paper. This means you can work on your whole painting, leaving essential details until last.
Use a lifting medium to separate layers and make it so that staining pigments don’t adhere to the paper properly. This way you can lift any pigment you like completely from the paper to reveal highlights.
Painting details: Further reading & learning
‘Disrupted Realism‘ is a book filled with inspiration of contemporary artists, taking the genre of realism to new levels.
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