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Capturing the Beauty of Surfing Beach Sunset with Displate Metal Art
As the sun dips below the horizon, casting a warm and golden hue across the waves, the magic of a surfing beach sunset comes to life. Displate, renowned for its innovative metal art, has captured this enchanting scene in a captivating masterpiece that pays homage to the sport of surfing and the serene beauty of nature’s nightly spectacle. The artwork not only celebrates the dynamic energy of the surfers riding the waves but also showcases the tranquility that settles as the day concludes.
At the heart of this Displate metal art is a breathtaking portrayal of surfers in action against the backdrop of a vibrant sunset. The use of metal as the canvas brings a unique dimension to the piece, creating a striking contrast between the organic beauty of the beach and the industrial edge of the metal medium. The reflections off the metallic surface mimic the glistening water, enhancing the visual experience and adding depth to the artwork. This Displate becomes more than just a representation; it becomes an immersive experience that allows viewers to almost feel the spray of the waves and the warmth of the setting sun.
The choice of a surfing beach sunset as the subject for this Displate artwork captures the essence of a coastal lifestyle cherished by many. It encapsulates the thrill of riding the waves and the serenity of nature’s daily farewell. Displate’s dedication to crafting unique and high-quality metal art is beautifully evident in this representation of a surfing beach sunset, offering art enthusiasts and surf aficionados alike the opportunity to bring the magic of the ocean into their living spaces with a touch of contemporary flair.
In conclusion, the Displate metal art featuring a surfing beach sunset stands as a testament to the harmonious blend of human passion and the natural world’s beauty. Through the artful interplay of metal as a medium, the dynamic scene of surfers at sunset is brought to life with a mesmerizing quality. As a decorative piece, this Displate not only adds a touch of elegance to interior spaces but also encapsulates the awe-inspiring experience of witnessing a surfing beach sunset, allowing individuals to relive that magical moment time and time again.
Capturing the beauty of the sunset with art
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About the Painting
Haystack Rock in Cannon Beach is a famous destination on the Oregon coast. The silhouette of the enormous boulder stands starkly against a vibrant sunset sky. The brush strokes in this painting are loose and impressionistic, capturing the beautiful colors of the scene.
Sunset clouds are the epitome of nature’s beauty. The transient nature of a colorful sunset, the clouds constantly changing hue from cool purple to fiery red, make sunset clouds one of the most painted subjects by the impressionist painter. No sunset is ever the same, and each time you see one, you can’t help but feel awe and joy for our beautiful planet.
“Sunset Reflections” was created on 1-1/2″ canvas. The painting arrives framed in a contemporary gold floater frame finished in burnished 23kt gold leaf.
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“Sunset Reflections”
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- Realistic texture and saturated color
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- Realistic texture and saturated color
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- No signature or certificate included
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“Sunset Reflections”
Fine Art Canvas Prints by Erin Hanson
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$170 – $4,180
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Artwork Details
Haystack Rock in Cannon Beach is a famous destination on the Oregon coast. The silhouette of the enormous boulder stands starkly against a vibrant sunset sky. The brush strokes in this painting are loose and impressionistic, capturing the beautiful colors of the scene.
Sunset clouds are the epitome of nature’s beauty. The transient nature of a colorful sunset, the clouds constantly changing hue from cool purple to fiery red, make sunset clouds one of the most painted subjects by the impressionist painter. No sunset is ever the same, and each time you see one, you can’t help but feel awe and joy for our beautiful planet.
“Sunset Reflections” was created on 1-1/2″ canvas. The painting arrives framed in a contemporary gold floater frame finished in burnished 23kt gold leaf.
Title: “Sunset Reflections”
Year Created: 2021
Medium: Oil on canvas
Original Painting Size: 56 x 56 in
Style: “Open Impressionism” is a new style of painting developed by American artist Erin Hanson. The style is characterized by short, impasto brush strokes that are applied without layering, creating a mosaic or stained-glass appearance to the paintings. The paintings are created with a limited pallette of colors, applied without blending or mixing upon the canvas, which adds a dimension of texture to each brush stroke. Inspired by classic impressionism, pointillism, and post-impressionism, Erin Hanson continues the tradition of impressionism into the modern day with her colorful and vivacious landscape paintings.
Shipping & Returns
Shipping and returns details for original artwork:
A representative of The Erin Hanson Gallery will arrange delivery of your Erin Hanson original oil painting. We will ensure someone is home to receive the artwork before shipping it out. Erin Hanson usually sells half of her original paintings while they are still drying on the dry rack. If your painting is still drying, we will let you know when it is expected to be fully dry and ready to ship (about six to eight weeks after the painting’s completion.)
We guarantee you will love your Erin Hanson artwork! If you aren’t happy with your painting for any reason, we accept exchanges or refunds within thirty days.
If your original oil painting is being displayed at a museum or gallery exhibition, you may still purchase the piece online, and we will ship your painting as soon as the show is over.
Note on varnishing: Erin’s paintings take six to eight weeks to dry, at which time we apply a retouching varnish, which allows the painting to complete the curing process while having a layer of protection against dirt and scuffs. The full curing process for an impasto oil painting takes at least two years. We are happy to assist in applying a final finishing varnish to your Erin Hanson oil painting once it has been dry for at least two years. Here is more information on how to care for your original oil painting.
Shipping and returns details for 3D Textured Replicas:
Erin Hanson’s 3D Textured Replicas are made to order in our state-of-the-art printing facility in McMinnville, Oregon. Please allow up to two weeks for us to make your replica. Erin Hanson personally inspects each 3D Textured Replica to make sure it has the same colors and texture as the original. We will email you a tracking number when your artwork ships.
We guarantee you will love your Erin Hanson artwork! If you aren’t happy with your painting for any reason, we accept exchanges or refunds within thirty days.
Shipping and returns details for canvas prints:
Erin Hanson’s canvas prints are made to order in our state-of-the-art printing facility in McMinnville, Oregon. Please allow up to two weeks for us to make your print. We will email you a tracking number when your artwork ships.
We guarantee you will love your Erin Hanson artwork! If you aren’t happy with your painting for any reason, we accept exchanges or refunds within thirty days.
Packaging: Wooden Crate // Artwork Shipper // Original Artwork Shipper // Rolled in a Tube
Your Artwork Arrival: Please be prepared to receive a large wooden pallet. This is the safest way to ship your large artwork. // Your artwork will arrive in an incredibly strong cardboard box that is custom-made to fit the exact size of your artwork. The artwork floats inside thick foam corners that protect the edges. We have never had a piece of artwork arrive damaged from shipping! // Your artwork will arrive in an incredibly strong artwork shipper that is custom-made to fit the exact size of your painting. The painting floats inside thick foam corners that protect the edges. The inside of the box is lined with puncture-and-shatter-proof ABS plastic. We have never had a piece of artwork arrive damaged from shipping! // Your print will arrive safely rolled in a tube.
Signature Required: We require a signature upon delivery to ensure the safe arrival of your artwork.
Shipping Carrier: FedEx Ground // FedEx Freight
Insurance: Your artwork will be shipped fully insured. If your artwork arrives damaged for any reason, please contact us immediately and we will replace or repair it.
Shipping Cost: We are currently offering free domestic shipping. Please use the shopping cart to calculate international shipping.
About 3D Textured Replicas
Making giclees obsolete with the greatest technological leap since the colored printer, Erin Hanson’s 3D Textured Replicas are the next best thing to an original painting. Erin Hanson’s 3D Textured Replicas are almost indistinguishable from the original painting from a few feet away, capturing the texture of every brushstroke, every weave of the canvas, and the vibrant colors of the original oil painting.
Erin spent three years developing the technology of 3D art printing in a quest to create a fine art print that not only captured her vibrant colors but also reproduced the texture that is so important to her work. Erin Hanson’s 3D Textured Replicas are the most realistic artwork reproductions available today. Every detail of an original oil painting, down to the individual ridges of each brushstroke and the canvas texture itself, is reproduced in these Replicas. The beautifully saturated colors are varnished for added UV protection.
Limited Edition: The Limited Edition 3D Textured Replica is limited to an edition of 100. Once we have printed 100 replicas of this painting, we won’t print any more. We offer Limited Edition 3D Textured Replicas in the same size as the original oil painting (as well as a few other options, both 20% larger and 20% smaller than the original’s size.) We offer Limited Edition 3D Textured Replicas with the same luxury framing options we use for Erin’s original oil paintings. Erin Hanson personally hand-signs and numbers each limited edition replica in gold enamel, and there is a Certificate of Authenticity attached to the back.
Open Edition: The Open Edition 3D Textured Replica is offered with the same framing options as our canvas prints. This artwork is not a limited edition and is not signed by Erin Hanson.
About Canvas Prints
Erin Hanson’s canvas prints have the illusion of texture, and they accurately reproduce the brilliant colors of Erin’s originals. Canvas prints are printed directly onto canvas rolls using our state-of-the-art Epsom printer. These prints do not have texture applied — they are flat prints, but they accurately capture the illusion of texture because of the shadows cast by the paint ridges during photography. The canvas prints come rolled, stretched, or framed and ready to hang.
Canvas Roll: A rolled canvas print arrives in a cylindrical shipping tube. The print will have a black border and some extra canvas to allow for stretching onto 1-1/2” stretcher bars. You can take this rolled print to your local framer for stretching and framing.
Wrapped Canvas: Erin Hanson stretched canvas prints arrive pre-stretched onto 1-1/2” stretcher bars. The sides of the print are printed black. This print can be hung un-framed, as-is, or you may take it to your local framer and have it framed in a floater frame.
Framed Canvas: The framed canvas prints are stretched onto 1-1/2” stretcher bars, and then framed in your choice of floater frame (white, black, gold, or silver.) The floater frames are 3/8” wide, and there is a gap around the print, adding a total of 1-1/2” inches to the overall dimensions of the print.
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Call 415-706-6428 for information about advertising online and in the printed versions of the Richmond Review and the Sunset Beacon newspapers. Or email us at [email protected].
By Sunset Beacon on June 5, 2019 • ( 14 Comments )
By Noma Faingold
Up until the middle of June, is the favorite time of year for artist John Musgrove. He wakes up before dawn, gets in his car and hits the road. But he usually does not go very far – maybe from his Inner Sunset home to the Outer Sunset, where he might capture the quiet beauty of the horizon facing Ocean Beach. His most desired shots, however, might actually be a row of pastel stucco houses lined up next to a row of cars.
No people. Exceptional lighting. The ordinary.
“It’s light, but there’s nobody around,” says Musgrove. “When I take the photograph, I’ll try to compose it the way I want it.”
“Orange Bug” by John Musgrove.
Musgrove’s work has a way of making the viewer notice what is barely noticed. His refined paintings have realism, but he says he has evolved a more minimalist approach, with some abstraction. He edits things like cars out or changes colors to fit a desired look. For example, his work “Relics” depicts a blue mailbox next to the back sides of two newspaper dispensers, one yellow (that San Franciscans will recognize as The Chronicle uses and one red, the SF Examiner). There are no details. They just look like rectangular boxes. The background is grayish, meant to look like a sidewalk or maybe something more ambiguous.
John Musgrove in his Inner Sunset studio. Photo by Noma Faingold.
“The everyday, it’s just what appeals to me,” Musgrove said. “I’ve painted the Golden Gate Bridge and the Bay Bridge more than a couple of times and they are beautiful. But I just like the daily life. The ordinary elements of the cityscape.”
Musgrove names Edward Hopper as his biggest influence. Even though he earned a bachelor of arts degree from the University of Florida, Musgrove never dreamed he would be painting full time. Most of his career was spent as a commercial artist/graphic designer. He moved from Florida to San Francisco in 1980 with the woman who was to become his first wife. His daughter from that marriage, Hazel Rose, is a songwriter/poet/musician/rapper living in Los Angeles.
“Quintara Cars” by John Musgrove.
In 2001, Musgrove was laid off from a startup, where he was working as a user-interface designer. He admits he took that job hoping to cash in on stock options.
“I was doing it for the money,” says Musgrove. “When they were laying off people, it became clear it wasn’t going to be a big winner. At that moment, I was really happy to be set free.”
His wife, Christina Murphy, who is the founder and principal of a recruiting firm, became the breadwinner and Musgrove went from what he refers to as “dabbling” to painting full time. He takes care of a lot the daily family needs, such as driving daughter Ivy, 17, where she needs to go.
“I’m the domestic guy that does all the cooking, going to the store and driving,” he says.
“Orange Sky” by John Musgrove.
Ordinary Things
In San Francisco, which Musgrove fell in love with at first sight, he is “not making a living” at his art. He sells his work at the annual Open Studios, an occasional local gallery show, on his website (musgrovepainting.com), word of mouth and commissions.
“I am super lucky. Christina made me the man I am today,” he said, referring to his second wife. “I wouldn’t be able to do it without her.”
Musgrove has lived in the Sunset for 19 years, yet never tires of discovering new cityscapes to paint.
“I love the aesthetic of the architecture, especially Art Deco. I see beautiful compositions everywhere,” he says.
“Inner Sunset Sunset” by John Musgrove.
Even though San Francisco has changed a lot since he arrived nearly 40 years ago, Musgrove still loves what the City has to offer.
“It’s kind of unfair to compare it to other places,” he says. “The culture, the beauty, the diversity and the progressive values. I appreciate that I gained a foothold when regular people could still do it.”
“Sunset Dusk” by John Musgrove.
“Pink House” by John Musgrove.
“Farralons” by John Musgrove.
“Emerald Auto” by John Musgrove.
“Great Highway” by John Musgrove.
“Funky Shrub #2” by John Musgrove.
“Down to the Beach” by John Musgrove.
“29th & Pacheco” by John Musgrove.
