Damaged or defective products will be replaced with the same or comparable items. Please notify us within 30 days of receipt of the problem by contacting THE HEATHER BROWN ART SUPPORT TEAM for replacement instructions. Please attach pictures and/or a detailed description of the problem. We will review it and begin processing a replacement right away.
Flowers of Hawaii
Bright Hawaiian ginger and hibiscus flowers help decorate this surf art paradise by Heather Brown. Complete with rolling blue waves, beautiful flowers of Hawaii, and mountain scenery, this matted artwork is bound to please any nature lover.
Wood panel prints featuring some of Heather Brown’s favorite images from her past paintings. These panel prints start with two perfectly sanded wood panels sealed together, and artwork is then printed onto the surface. Each wood panel may have unique imperfections, which gives the printed artwork wonderful character. In fact, no two prints are ever the same!
- 11″ x 14″ medium sized split wood panel (1-1/2″ depth with wood mount)
- Artwork may vary slightly from pictured: Panels may include knots, splits, and other natural wood characteristics
- Signature on front of print
- Includes wood bars mounted on back for easy display!
Tropical Hawaii artist Heather Brown has gained a worldwide reputation for her unique style and depictions of idealistic Hawaiian landscapes including sandy beaches, epic waves, figurative surfers, and exotic tropical flowers.
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We stock and ship all products (except Giclee canvas, wood panel prints, and hoodies) in 2-3 business days, unless there is an out-of-stock situation. If there is any delay in shipment we will notify you immediately via email. Giclee canvas prints ship in approximately 3 – 4 weeks, wood panel prints ship in approximately 1 – 2 weeks, and hoodies ship in approximately 1 – 3 weeks as they are custom printed per order. Framed Giclee Canvas prints ship in approximately 4-6 weeks. Once we ship your order, you will receive a tracking number via email. The approximate shipping times are: USPS Priority (2-5 days), FedEx 2-Day (1-2 days), USPS International Priority (6-10 days), FedEx International (2-7 days). Delivery times may vary substantially due to the carrier, and we cannot guarantee that a carrier will deliver by a certain date.
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You can easily track your package by clicking our PACKAGE TRACKING page and inserting the tracking number provided to you in your confirmation email.
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Major credit cards: Visa, MasterCard, American Express and Discover Card ; Paypal ; and Gift Cards (available online only).
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We proudly ship worldwide!
Are there extra charges for international shipping?
International customers are responsible for the payment of any duties or customs taxes beyond standard shipping charges. These additional charges are not included in the Heather Brown web site charges, rather they may be collected from you at the time of delivery if your country has such charges. Customers who refuse to receive international orders will not be refunded the original shipping fee, and will be responsible for an additional $25 fee to help cover the shipping and customs costs to return the product to HBA. We recommend you contact your country’s customs office in advance for an estimate of fees before placing your order if you have any questions.
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We will only be able to update the shipping address on an order so long as the order has not yet shipped. Please CONTACT US immediately so we can attempt to adjust the order in time.
Satisfaction Guarantee & Returns/Exchanges
Heather Brown Art Satisfaction Guarantee:
Heather Brown Art guarantees that all Art purchased through our web site is authentic and approved by Heather Brown, and all Art is in Brand-New condition.
If you have any questions about your purchase, we are happy to help! Send us an email to [email protected] or call us +1 (808) 212-4497 (Hawaii business hours), and if you are not happy with your art purchase for any reason, you can return it within 30 days.
Georgia O’Keeffe’s Hawaii Flower Paintings
May 28, 2018
Text Sophie Bew
You would be forgiven for thinking you were well-versed in Georgia O’Keeffe’s bountiful oeuvre. The Modernist shapes and avant-garde compositions of her floral, landscape and cityscape paintings are so ubiquitous with her name that at a mere mention one can instantly conjure the creamy barren still lifes of her New Mexico home; the luscious lines of her phallic calla lilies; her soaring skyscrapers in blocky Deco shapes. But little has been documented of her time spent in Hawaii – one the most biologically diverse places on earth, surely a natural fit for the plantswoman. That is, until now.
A new exhibition at The New York Botanical Garden and an accompanying catalogue, Georgia O’Keeffe: Visions of Hawaii, lends a new facet to her well-loved body of work. It’s a neatly encapsulated chapter – unlike those from her countless journeys to-and-from her adobe house in the Mexican desert – since the works are demarcated by a nine-week trip she made in 1939. On a commission from Hawaiian Pineapple Company (now Dole Food Company Inc), O’Keeffe was sent to the tropical archipelago to undertake two paintings that would be used for the brand’s advertising campaigns.
Naturally, O’Keeffe came back with more than the two commissioned works. But the resulting bevvy is a concise capsule nonetheless: totalling 20 paintings of the islands’ verdant valleys, exotic-seeming plant life and the brooding black-lava clad coves, the collection is here reunited for the first time since 1940 when O’Keeffe exhibited the works at her husband photographer Alfred Stieglitz’s gallery. But this 20-strong body comes complete with exquisite accoutrements by way of a series of silver gelatin print photo studies of the natural subject matter, as well as a full-to-the-brim Winsor & Newton sketchbook. This latter document, filled with her sparse line drawings which etched out the inception of her later paintings, was a joy to academics close to her work. Since her usual practice at home was to pick out and work from a workbook at random each day, her works rarely laid in any chronological order. But on this trip she had just the one, which today allows experts today to chart the careful developments of her practice.
The resulting series is a jubilant study, evident in which is the sheer inspiration she took from her visit across the islands of Oahu, Maui, Kauai and Honolulu. From the velvety voluptuous ginger bud to the feathered petals of a white lotus, the fruity hued Heliconia (birds of paradise) or the rigid elegance of an ornamental banana – many of which were set against an euphoric azure sky – O’Keeffe carefully catalogued the dizzying array of plants that surrounded her. As she wrote to Stieglitz during her stay: “I wish you could see the flowers I have – Helen Richards gave me another enormous white chain of flowers – the host at dinner last night gave me a four strand chain of such sweet smelling buds last night – it fills the whole room. A man walked up to me at the party and handed me a pink camellia with a very large handsome bud – it is so pretty it seems impossible that it is real – Mrs Richards [sic] mother brought me the first gardenia she has had blooming this year to wear at the party – Then the large bunch of very large antherium [sic] – pink – with big calla lilies – I must get to painting soon.”
And though O’Keeffe invariably denied the erotic descriptions of her works, her gleeful blossoms stand present and correct with the painter’s trademark sensuousness, while green and luscious valleys disappear into a yonic ‘V’ that splices the horizon in two. What’s perhaps most pleasurable though, is seeing such a familiar practitioner entwine herself with a whole new landscape, as she concurred in the 1940 show’s introduction:
“If my painting is what I give back to the world for what the world gives to me, I may say that these paintings are what I have to give at present for what three months [sic] in Hawaii gave to me… One sees new things rapidly everywhere when everything seems new and different. It has to become a part of one’s world a part of what one has to speak with – one paints it slowly… Maybe the new place enlarges ones [sic] world a little. Maybe one takes one’s own world along and cannot see anything else.”
Flowers Of Hawaii Paintings
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