The programs of the Morgan Library & Museum are made possible with public funds from the New York City Department of Cultural Affairs in partnership with the City Council, and by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.
Mountain landscape oil painting (2021) Painting by Olya Grigorevykh
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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
This artwork appears in 1 collections
- Original Artwork (One Of A Kind) Painting, Oil on Canvas
Artworks classification
One of a kind (OOAK / Original Artwork)
One-of-a-kind works of art are also known as “OOAK” artworks. This means that every work of art is unique and there will never be another identical one.
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Landcape oil painting “Mountain Lake” 30×40 cm (12×16 inches) Oil, canvas on board Unframed On the front and back the paintings are signed by me, also the painting have a certificate of authenticity. The painting will be delivered in a cardbox, very durable, eliminating damage during transportation.
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Landcape oil painting “Mountain Lake”
30×40 cm (12×16 inches)
Oil, canvas on board
Unframed
On the front and back the paintings are signed by me, also the painting have a certificate of authenticity.
The painting will be delivered in a cardbox, very durable, eliminating damage during transportation.
Regular post.
Fully tracked.
Colors may vary slightly due to monitor differences.
If you like this artwork, but it does not fit the size of your interior, contact me.
I will be happy to create for you a similar picture of a different size!
About this artwork: Classification, Techniques & Styles
Paint consisting of pigments bound with linseed oil or carnations. The traditional technique consists of superimposing layers of paint increasingly rich in oil for a solid and durable hanger.
Painting is an art form of painting on a surface by aesthetically applying colored fluids. Painters represent a very personal expression on supports such as paper, rock, canvas, wood, bark, glass, concrete and many other substrates. Work of representation or invention, painting can be naturalistic and figurative, or abstract. It can have narrative, descriptive, symbolic, spiritual, or philosophical content.
Rocks and Mountains: Oil Sketches from the Thaw Collection
During the second half of the eighteenth century, the practice of using oil paint on paper while working outdoors became popular among landscape artists. Rugged topography emerged as an important motif for oil sketch practitioners. Mountain settings, as well as single majestic boulders or outcroppings, provided a challenging focus for artists learning to capture light, color, and texture in oils. Rocky terrain allowed for close, prolonged study, while rushing streams and surrounding foliage gave artists the opportunity to grapple with depicting movement and the ephemeral effects of light and atmosphere.
Artists from France, Belgium, Germany, Switzerland, and Scandinavia, including celebrated landscape painters such as Théodore Rousseau, Eugène Delacroix, Alexandre Calame, and Thomas Fearnley, are featured in this selection. Directly engaging with nature, these artists used the oil sketch as a means of investigation and exploration.
Rocks and Mountains is the fourth exhibition in a series drawn from the collection of oil sketches acquired by Morgan Trustee Eugene V. Thaw and his wife, Clare. Mr. Thaw is also an honorary trustee of the Metropolitan Museum of Art. This installation is a program of the Drawing Institute at the Morgan Library & Museum.
Alexandre Calame (Swiss, 1810–1864), Mountain Landscape, Valais, Switzerland, ca. 1838–40. Oil on illustration board. Thaw Collection, jointly owned by the Metropolitan Museum of Art and the Morgan Library & Museum; Gift of Eugene V. Thaw, 2009
Exhibitions
- Current Exhibitions
- Medieval Money, Merchants, and Morality
- Spirit and Invention: Drawings by Giambattista and Domenico Tiepolo
- Morgan’s Bibles: Splendor in Scripture
- Seeds of Knowledge: Early Modern Illustrated Herbals
- J. Pierpont Morgan’s Library
- The East Room
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- The Rotunda
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- Charles Dickens’s A Christmas Carol
- Belle da Costa Greene: A Librarian’s Legacy
- Beatrix Potter: Drawn to Nature
- Capturing Atmosphere: European Nature Studies in Oil
- Crafting the Ballets Russes: The Robert Owen Lehman Collection
- Far and Away: Drawings from the Clement C. Moore Collection
- Franz Kafka
- Liberty to the Imagination: Drawings from the Eveillard Gift
- Seen Together: Acquisitions in Photography
- Walton Ford: Birds and Beasts of the Studio
- 2022–2023
- Into the Woods: French Drawings and Photographs from the Karen B. Cohen Gift
- Bridget Riley Drawings: From the Artist’s Studio
- Ferdinand Hodler: Drawings—Selections from the Musée Jenisch Vevey
- Blaise Cendrars (1887–1961): Poetry Is Everything
- Nora Thompson Dean: Lenape Teacher and Herbalist
- Collections Spotlight, Summer 2023
- In and around Piranesi’s Rome: Eighteenth-Century Views of Italy
- Collections Spotlight, Spring 2023
- Sublime Ideas: Drawings by Giovanni Battista Piranesi
- Claude Gillot: Satire in the Age of Reason
- Entrance to the Mind: Drawings by George Condo in the Morgan Library & Museum
- Uncommon Denominator: Nina Katchadourian at the Morgan
- Georg Baselitz: Six Decades of Drawings
- She Who Wrote: Enheduanna and Women of Mesopotamia, ca. 3400–2000 B.C.
- The Little Prince: Taking Flight
- Ashley Bryan & Langston Hughes: Sail Away
- Belle da Costa Greene and the Women of the Morgan
- Collections Spotlight, Fall 2022 / Winter 2023
- A Focus on the Figure: Selections from the Karen B. Cohen Gift
- Collections Spotlight, Spring 2022
- Dawn till Dusk: Studies of Light in Marine Sketches
- One Hundred Years of James Joyce’s Ulysses
- PLEASE SEND TO REAL LIFE: Ray Johnson Photographs
- J. Pierpont Morgan’s Library: Building the Bookman’s Paradise
- Writing a Chrysanthemum: The Drawings of Rick Barton
- The Morgan Book Project 2022
- Woody Guthrie: People are the Song
- Holbein: Capturing Character
- Bound for Versailles: The Jayne Wrightsman Bookbindings Collection
- Gwendolyn Brooks: A Poet’s Work In Community
- Van Eyck to Mondrian: 300 Years of Collecting in Dresden
- Imperial Splendor: The Art of the Book in the Holy Roman Empire, ca. 800–1500
- Another Tradition: Drawings by Black Artists from the American South
- Collections Spotlight
- Women Artists and Patrons in the Natural Sciences, 1650–1800
- Collections Spotlight
- The Kasper Collection
- Recent Acquisitions: Modern and Contemporary Drawings and Prints
- Shahzia Sikander: Extraordinary Realities
- Architecture, Theater, and Fantasy: Bibiena Drawings from the Jules Fisher Collection
- Sublime on the Small Scale
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- The Morgan Book Project
- Almost a Remembrance: Belle Greene’s Keats
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- Conversations in Drawing: Seven Centuries of Art from the Gray Collection
- David Hockney: Drawing from Life
- Édouard Vuillard: Sketches and Studies
- Poetry and Patronage: The Laubespine-Villeroy Library Rediscovered
- Betye Saar: Call and Response
- Treasures from the Vault
- No Soft Nonsense: Anne Brontë at 200
- Beethoven 250: Autograph Music Manuscripts by Ludwig van Beethoven
- Panoramas
- Alfred Jarry: The Carnival of Being
- The Book of Ruth: Medieval to Modern
- The Drawings of Al Taylor
- Jean-Jacques Lequeu: Visionary Architect. Drawings from the Bibliothèque nationale de France
- John Singer Sargent: Portraits in Charcoal
- Illusions of the Photographer: Duane Michals at the Morgan
- Guercino: Virtuoso Draftsman
- Verdi: Creating Otello and Falstaff
- A New Yorker Bouquet
- James Gillray and the Art of Caricature
- Drawing the Curtain: Maurice Sendak’s Designs for Opera and Ballet
- Hogarth: Cruelty and Humor
- Walt Whitman: Bard of Democracy
- Among Others: Photography and the Group
- Modern and Contemporary Drawings: Recent Acquisitions
- The Extended Moment: Photographs from the National Gallery of Canada
- Invention and Design: Early Italian Drawings at the Morgan
- Plein Air Sketching in the North
- Tolkien: Maker of Middle-earth
- By Any Means: Contemporary Drawings from the Morgan
- Beautiful Youths: Dandies from the Read Persian Album
- It’s Alive! Frankenstein at 200
- Drawing in Tintoretto’s Venice
- Pontormo: Miraculous Encounters
- Views of Rome and Naples: Oil Sketches from the Thaw Collection
- Wayne Thiebaud, Draftsman
- Medieval Monsters: Terrors, Aliens, Wonders
- The Magic of Handwriting: The Pedro Corrêa do Lago Collection
- Thomas Gainsborough: Experiments in Drawing
- Joseph Cornell: The Saint-Exupéry Dossier
- Peter Hujar: Speed of Life
- Rivers and Torrents: Oil Sketches from the Thaw Collection
- A Merchant Ivory Production: Highlights from the James Ivory Collection
- Now and Forever: The Art of Medieval Time
- Tennessee Williams: No Refuge but Writing
- Power and Grace: Drawings by Rubens, Van Dyck, and Jordaens
- Charles Dickens and the Spirit of Christmas
- Drawn to Greatness: Master Drawings from the Thaw Collection
- Magnificent Gems: Medieval Treasure Bindings
- Poussin, Claude, and French Drawing in the Classical Age
- Henry James and American Painting
- I’m Nobody! Who are you? The Life and Poetry of Emily Dickinson
- Noah’s Beasts: Sculpted Animals from Ancient Mesopotamia
- Rocks and Mountains: Oil Sketches from the Thaw Collection
- This Ever New Self: Thoreau and His Journal
- Treasures from the Nationalmuseum of Sweden: The Collections of Count Tessin
- Delirium: The Art of the Symbolist Book
- Word and Image: Martin Luther’s Reformation
- Hans Memling: Portraiture, Piety, and a Reunited Altarpiece
- Charlotte Brontë: An Independent Will
- Dubuffet Drawings, 1935–1962
- Celebrating 100 Years of Einstein’s General Theory
- Rembrandt’s First Masterpiece
- City of the Soul: Rome and the Romantics
- Dreams in Dust: The Pastels of Lucas Samaras
- Founding Figures: Copper Sculpture from Ancient Mesopotamia, ca. 3300–2000 B.C.
- Trees: Oil Sketches from the Thaw Collection
- Sight Reading: Photography and the Legible World
- Pierre-Jean Mariette and the Art of Collecting Drawings
- Wagner’s Ring: Forging an Epic
- Ernest Hemingway: Between Two Wars
- Graphic Passion: Matisse and the Book Arts
- Warhol by the Book
- Martin Puryear: Multiple Dimensions
- Exploring France: Oil Sketches from the Thaw Collection
- Alice: 150 Years of Wonderland
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- William Caxton and the Birth of English Printing
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- In the Margins
- Cy Twombly: Treatise on the Veil
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- Marks of Genius: Treasures from the Bodleian Library
- Miracles in Miniature: The Art of the Master of Claude de France
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- Medium as Muse: Woodcuts and the Modern Book
- A Collective Invention: Photographs at Play
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- The Little Prince: A New York Story
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- Edgar Allan Poe: Terror of the Soul
- Bookermania: 45 Years of the Man Booker Prize
- “Lose not heart”: J. D. Salinger’s Letters to an Aspiring Writer
- Reflections on a Nation: American Writings from the Gilder Lehrman Collection
- Subliming Vessel: The Drawings of Matthew Barney
- New Acquisition: The Saint John’s Bible
- Degas, Miss La La, and the Cirque Fernando
- Treasures from the Vault
- Beethoven’s Ninth: A Masterpiece Reunited
- Illuminating Faith: The Eucharist in Medieval Life and Art
- Treasures from the Vault
- Drawing Surrealism
- Marcel Proust and Swann’s Way: 100th Anniversary
- Beatrix Potter: The Picture Letters
- Dürer to de Kooning: 100 Master Drawings from Munich
- Old Masters, Newly Acquired
- Summer Sculpture Series: Monika Grzymala, Volumen
- Fantasy and Invention: Rosso Fiorentino and Sixteenth-Century Florentine Drawing
- Happy Holidays from the Morgan!
- Charles Dickens at 200
- Churchill: The Power of Words
- Dan Flavin: Drawing
- Ellsworth Kelly: Sculpture
- In the Company of Animals: Art, Literature, and Music at the Morgan
- Josef Albers in America: Painting on Paper
- Rembrandt’s World: Dutch Drawings from the Clement C. Moore Collection
- Renaissance Venice: Drawings from the Morgan
- Robert Burns and “Auld Lang Syne”
- Robert Wilson/Philip Glass: Einstein on the Beach
- Treasures of Islamic Manuscript Painting from the Morgan
- David, Delacroix, and Revolutionary France: Drawings from the Louvre
- Degas: Drawings and Sketchbooks
- Great European Libraries: Photographs by Massimo Listri
- Illuminating Fashion: Dress in the Art of Medieval France and the Netherlands
- Ingres at the Morgan
- Jim Dine: The Glyptotek Drawings
- Lists: To-dos, Illustrated Inventories, Collected Thoughts, and Other Artists’ Enumerations from the Smithsonian
- Mannerism and Modernism: The Kasper Collection of Drawings and Photographs
- Mark Twain: A Skeptic’s Progress
- Roy Lichtenstein: The Black-and-White Drawings, 1961–1968
- The Age of Elegance: The Joan Taub Ades Collection
- The Changing Face of William Shakespeare
- The Diary: Three Centuries of Private Lives
- Xu Bing: The Living Word
- A Woman’s Wit: Jane Austen’s Life and Legacy
- Anne Morgan’s War: Rebuilding Devastated France, 1917–1924
- Celebrating Puccini
- Defining Beauty: Albrecht Dürer at the Morgan
- Demons and Devotion: The Hours of Catherine of Cleves
- Flemish Illumination in the Era of Catherine of Cleves
- Mark di Suvero at the Morgan
- Palladio and His Legacy: A Transatlantic Journey
- Rococo and Revolution: Eighteenth-Century French Drawings
- Romantic Gardens: Nature, Art, and Landscape Design
- Rome After Raphael
- William Blake’s World: “A New Heaven Is Begun”
- Written in Stone Historic Inscriptions from the Ancient Near East, ca. 2500 B.C.–550 B.C.
- Letters by J. D. Salinger
- Creating the Modern Stage: Designs for Theater and Opera
- Drawing Babar: Early Drafts and Watercolors
- John Milton’s Paradise Lost
- New at the Morgan: Acquisitions Since 2004
- On the Money: Cartoons for The New Yorker From the Melvin R. Seiden Collection
- Pages of Gold: Medieval Illuminations from the Morgan
- Protecting the Word: Bookbindings of the Morgan
- Studying Nature: Oil Sketches from the Thaw Collection
- The Thaw Collection of Master Drawings: Acquisitions Since 2002
- Where the Wild Things Are: Original Drawings by Maurice Sendak
- Close Encounters: Irving Penn Portraits of Artists and Writers
- Draftsmen of the Medici Court: Drawings from the Morgan
- Drawing Connections: Baselitz, Kelly, Penone, Rockburne, and the Old Masters
- Illuminating the Medieval Hunt
- Liszt in Paris: Enduring Encounters
- Michelangelo, Vasari, and Their Contemporaries Drawings from the Uffizi
- Painted with Words: Vincent van Gogh’s Letters to Émile Bernard
- Philip Guston: Works on Paper
- The Prayer Book of Claude de France
- Three Gutenberg Bibles
- Apocalypse Then: Medieval Illuminations from the Morgan
- Bob Dylan’s American Journey, 1956–1966
- Celebrating Rembrandt: Etchings from the Morgan
- Fragonard and the French Tradition
- From Berlin to Broadway The Ebb Bequest of Modern German and Austrian Drawings
- From Rembrandt to van Gogh: Dutch Drawings from the Morgan
- Masterworks from the Morgan
- Mozart at 250: A Celebration
- New Acquisition: Albrecht Dürer’s Adam and Eve
- Private Treasures: Four Centuries of European Master Drawings
- Saul Steinberg: Illuminations
- Tales and Travels: Drawings Recently Acquired on the Sunny Crawford von Bülow Fund
- Victorian Bestsellers
- The Morgan–Renzo Piano Building Workshop Project with a Brief History
- Morgan Medieval Masterworks on View at The Metropolitan Museum of Art
- Painted Prayers: Books of Hours from the Morgan Library
- The Book of Kings: Art, War, and the Morgan Library’s Medieval Picture Bible
- To Observe and Imagine: British Drawings and Watercolors from the Morgan Library, 1600–1900
- Picturing Natural History: Flora and Fauna in Drawings, Manuscripts, and Printed Books
- The Thaw Collection: Master Drawings and Oil Sketches, Acquisitions Since 1994
- Fernand Léger
- Oscar Wilde: A Life in Six Acts
- Athens
- Cigar ad
- Isle of Wight
- Wilde and Douglas
- Albrecht Dürer
- Edward Ruscha
- Egon Schiele
- Franz Kline
- Giovanni Battista
- Michelangelo Buonarroti
- Ruskin’s Italy, Ruskin’s England
- John Everett Millais
- John Ruskin
- Sir Reginald Theodore Blomfield
- Cosmetic Box with Inlaid Lid
- Gold Vessel in the Form of an Ostrich Egg
- Great Lyre from the “King’s Grave”
- Ram Caught in a Thicket
- Silver Head of a Lion
- Wreath
- Jan Cossiers
- Pieter Bruegel the Elder
- New York Collects: Drawings and Watercolors, 1900–1950
- The Great Experiment: George Washington and the American Republic
- François X. Habermann
- George Washington
- George Washington Letter
- Life Mask of George Washington
- Paul Revere
- Binding by Paul Bonet
- Binding by Pierre-Lucien Martin
- Binding by Thomas James Cobden-Sanderson
- Claudius Ptolemaeus
- Psalterium
- The Ottobeuren Gradual
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(212) 685-0008The programs of the Morgan Library & Museum are made possible with public funds from the New York City Department of Cultural Affairs in partnership with the City Council, and by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.
