In the seventeenth century print-painting manuals began to be designed to help train artists. These showed, step by step, how to paint in the style of particular artists. They illustrated a variety of subjects, from small rocks to mountains or tree branches to forests. The different brush strokes were named and explained.
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Main content
Art of Asia
Course: Art of Asia > Unit 2
Lesson 13: Song dynasty (960–1279)
Song dynasty (960–1279), an introduction
The art of salvation—Mt. Baoding, Dazu rock carvings
An Introduction to the Song dynasty (960–1279)
Master of the (Fishing) Nets Garden
Gu Kaizhi, Nymph of the Luo River
Chinese landscape painting
Mountings: hanging scrolls, handscrolls, fans and the album leaf
Neo-Confucianism & Fan Kuan, Travelers by Streams and Mountains
Emperor Huizong, Auspicious Cranes, handscroll
Attributed to Zhang Zeduan, Along the River during Qingming Festival, handscroll
Liang Kai, Poet Strolling by a Marshy Bank
Liang Kai (attributed), White Egret
Ding ware bowl, Northern Song dynasty
Ceramic pillow
Guan ware long-necked vase
Bowl with “oil spot” glaze
Bowl with brown mottling
Bodhisattva Avalokiteshvara (Chinese: Guanyin)
Arhat (Chinese: luohan)
“Bodhisattva of Compassion Seated in Royal Ease”
© 2023 Khan Academy
By The British Museum
Landscape painting is traditionally at the top of the hierarchy of Chinese painting styles. It is very popular and is associated with refined scholarly taste. The Chinese term for “landscape” is made up of two characters meaning “mountains and water.” It is linked with the philosophy of
Daoism
, which emphasizes harmony with the natural world.
Shitao, Landscape, c.1698–1700, album leaf, ink and colour on paper, 20.8 cm high, China (© Trustees of the British Museum)
Shitao, Landscape, c.1698–1700, album leaf, ink and colour on paper, 20.8 cm high, China (© Trustees of the British Museum)
Idealized landscapes
Chinese artists do not usually paint real places but imaginary, idealized landscapes. The Chinese phrase woyou expresses this idea of “wandering while lying down.” In China, mountains are associated with religion because they reach up towards the heavens. People therefore believe that looking at paintings of mountains is good for the soul.
Chinese painting in general is seen as an extension of calligraphy and uses the same brushstrokes. The colors are restrained and subtle and the paintings are usually created in ink on paper, with a small amount of watercolor. They are not framed or glazed but mounted on silk in different formats such as hanging scrolls, handscrolls, album leaves and fan paintings.
Wenfangsibao, or the Four Treasures of the Scholar’s Studio: paper, brush, ink, and inkstone (© Trustees of the British Museum)
Wenfangsibao, or the Four Treasures of the Scholar’s Studio: paper, brush, ink, and inkstone (© Trustees of the British Museum)
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realistic mountain sketch
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Categories: Sketches
Author: seven.edu.vn
Step five:
Use a small paintbrush and white acrylic paint to add highlights into your mountain and background.
Step six:
I really wanted to make my mountain pop out more, so I added in some neon pink (this is optional).
Take a Plastic Pink Irojiten Colored Pencil from the Fluorescent Set and add in some pink highlights to the mountain. You can also add pink shadows to your quote to make it pop more.
Once you’re finished, peel off the tape and hang up your art!
Thanks for hanging out with me today!
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