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drawing

Guidance for drawing abstract art

Photographers such as Barbara Crane, who died in 2019, used extreme close-ups, exaggerated shadow and overexposure to create an experimental aesthetic that distorted the traditional cityscape. In her Loop series, skyscrapers and apartment blocks were transformed into high-contrast geometric abstract images. “Though I build on past experience, I attempt to eradicate previous habits of seeing and thinking,” she said in 2002. “I keep searching for what is visually new to me, while always hoping that a fusion of form and content will take place.”


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Abstraction isn’t the most popular artistic mode around. Sure, it has a loyal (and growing) group of practitioners, and it makes up a large portion of what’s hanging on the walls of fashionable New York art galleries. But many artists and appreciators tend to keep their distance, perhaps because they’re intimidated by it or because they don’t trust those snooty galleries. More likely, however, they haven’t had much exposure to abstract art, and as a result they just don’t know what to make of it.

But that’s a shame, because those who shun abstract work are missing some of the most exciting and expressive artwork there is. Of course abstraction presents a distinctly different way for artists to convey their ideas, but that’s not all. It also expands your imaginative abilities, because it forces you to think about your ideas in ways that don’t mimic the objective world, and it requires you to see in unfamiliar ways. There’s no better way to exercise your imagination than to set it free from the boundaries of our everyday visual experience.

  • Look inside, not out. Instead of turning to your surroundings for images to depict, concentrate on your own feelings and experiences and see what they suggest.
  • Visit the masters. As an exercise, break down a masterwork into individual shapes, ignoring the details, to get a sense of how the picture is composed. Redraw the shapes yourself (or assemble them in paper), then try rearranging them altogether.
  • Start in black and white. For beginners at abstract work, it’s often easier to concentrate solely on shapes and composition before moving on to working with color.
  • Focus on space. First and foremost, the abstract artist has to deal with the arrangement of space. Try to see each element as a part of the overall balance.
  • Make it big. When artists lack confidence, they tend to work small. Don’t be afraid to start with big shapes so you can stand back and evaluate them.
  • Doodle. Whether on paper or in clay, whether completely open-minded or with a vague idea in mind, begin with simple doodling and you’ll get a glimpse of where your ideas might lead.





When did abstract art start?

The origin of abstract art has been a subject of debate. Wassily Kandinsky is generally credited as the pioneer of abstract art. He famously said, “back then not one single painter was painting in an abstract style.” His first abstract painting that propelled abstract art into the public eye was Komposition V, created in 1911.

However, a lesser-known Swedish painter, Hilma af Klint, is thought to have preceded Kandinsky, producing her first abstract painting in Stockholm in 1906 – five years earlier. Her futuristic works were radical for their time, with biomorphic (reminiscent of nature) and geometric shapes occupying intensely bold backgrounds.

While Kandinsky was a successful painter during his lifetime, af Klint’s rejection of the limelight meant her work was not recognised until much later. She kept her paintings largely private with few exhibitions; convinced the world was not ready for her vision. She made her relatives promise that her paintings should not be unveiled until 20 years after her death, meaning her work languished in relative obscurity until 1986 when they began to receive serious attention.

How has abstract painting evolved?

Following its origin in the early 1900s, abstract art evolved as different artists experimented with the style. Piet Mondrian’s geometric elements earned him a reputation as one of the pioneers of 20th-century abstract art. Jackson Pollock was famous for pouring or splashing paint onto a horizontal canvas, enabling him to view and paint his work from all angles. Cy Twombly revisited surrealist automatism – suppressing his conscious control and allowing the unconscious mind to have great sway – to create his feverish, emotive marks.

Abstract art continues to evolve today. Lee Ellis’s portraits use surface and depth to depict the inner turmoil of his subjects; colourist Barbara Krupp’s works play boldly with form; Nick Malone explores the boundary between abstraction and realism, encouraging the eye to travel across an archaeology of marks, words and textures.

What is abstract expressionism?

Abstract expressionism is a movement within a movement and considered to be abstract art’s second-wave, arriving in the 1940s and centred in New York City. Heavily influenced by surrealism, this was the first American art movement to achieve international influence, claiming artists such as Jackson Pollock, Mark Rothko and Willem de Kooning. The style quickly earned a reputation for being anarchic and nihilistic; full of energy and intensity. Painter Jay Meuser captured abstract expressionism’s lawlessness when he said: “It is far better to capture the glorious spirit of the sea than to paint all of its tiny ripples.”

Matthew Dibble is one contemporary artist who carries the mantle of abstract expressionism. After spending decades working in construction, he brings a firm sense of form and structure into his new career as an artist. Dutch sees an army of black and grey marks dance vigorously across the canvas. The piece feels rapid and rebellious, as if the silhouettes have been liberated; freed from suffocating structure. Rabid Shakespeare, however, mixes form and formlessness, with crowds of jostling, energetic brushstrokes calmed and carved into place by strong clean lines.

Dutch, 2015, by Matthew Dibble

Colin Wynn
the authorColin Wynn

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