Polish artist Luiza Niechoda simplifies landscapes with her pixelated style. Inspired by the Pacific Northwest and Romantic artists like Friedrich and J.M.W. Turner, she creates striking renditions of verdant forests and misty mountainous backgrounds.
The Evolution of Landscape Painting and How Contemporary Artists Keep It Alive
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In the contemporary realm of painting, artists often dabble in styles inspired by past artistic movements. One genre that has particularly strong roots in the past is landscape painting. Today, contemporary artists who work in this style visually demonstrate the ways in which their work has been inspired by the age-old genre, which is characterized by an interest in portraying nature. To see these influences and learn about landscape art, it is important to understand the ways in which artists—of the past and present—creatively approach it.
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What is Landscape Painting?
Landscape painting (or landscape art) refers to an artistic genre defined by a focus on natural scenery as subject matter. Landscape paintings can depict a variety of settings, such as mountains, forests, rivers, and beaches. They often offer a wide view of the scene, and usually place some focus on the sky.
Artists choose landscapes as their subjects for a variety of reasons. In addition to wanting to represent or replicate their obvious beauty, some artists opt to create these depictions to study and explore various aesthetic elements, like light, color, and texture. Additionally, some artists also use scenes of nature as a way to tell a story, illustrate an idea, or conceptualize a metaphor.
Tracing the genre’s evolution and looking at well-known landscape paintings throughout history enables one to visually recognize these differences and understand where contemporary landscape painters may find their inspiration.
Famous Landscape Paintings
Giorgione, The Tempest, c. 1505
Giorgione, “The Tempest,” c. 1505 (Photo: Wikimedia Commons, Public domain)
In the Renaissance painting The Tempest, Giorgione places equal emphasis on the figures in the foreground and the stormy scene in which they are set. Even with such prominent characters, this piece is considered a prime example of early landscape painting.
Pieter Bruegel the Elder, Monthly Cycle, Scene: The Hunters in the Snow, 1565
Pieter Bruegel the Elder, “The Hunters in the Snow,” 1565 (Photo: Kunsthistorisches Museum via Wikimedia Commons, Public domain)
The Monthly Cycle, Scene: The Hunters in the Snow is a Northern Renaissance painting from a series of works that conveys the different times of the year. It demonstrates both the artist’s interest in capturing the changing seasons and his profound sense of perspective and depth.
El Greco, View of Toledo, c. 1596–1600
El Greco, “View of Toledo,” c. 1596–1600 (Photo: The Met via Wikimedia Commons, Public domain)
Like much of El Greco‘s work, View of Toledo offers an atmospheric study of the sky. Unlike his other pieces, however, this painting portrays a landscape—not a portrait—in the foreground.
Claude Lorrain, Pastoral Landscape, 1648
Claude Lorrain, “Pastoral Landscape: The Roman Campagna,” c. 1639 (Photo: The Met via Wikimedia Commons, Public domain)
Baroque painter Claude Lorrain is known for his idyllic portrayals of allegorical scenes rooted in either the bible or classical mythology. Pastoral Landscape is a work that aptly conveys this interest. Notice the Roman ruins on the horizon!
Thomas Gainsborough, Portrait of Mr and Mrs Andrews, 1748–1750
Thomas Gainsborough, “Portrait of Mr and Mrs Andrews,” 1748–1740 (Photo: Wikimedia Commons, Public domain)
Thomas Gainsborough’s Portrait of Mr and Mrs Andrews presents the estate of a recently married couple. While the figures play a primary role in the piece, the landscape is also in focus. According to the National Gallery, “the emphasis on the landscape here allows Gainsborough to display his skills as a painter of convincingly changing weather and naturalistic scenery, still a novelty at this time.”
Caspar David Friedrich, The Wanderer Above the Sea of Fog, 1818
Caspar David Friedrich, “Wanderer Above the Sea of Fog,” c. 1817 (Photo: Hamburger Kunsthalle via Wikimedia Commons, Public domain)
A key work from the Romantic period, The Wanderer Above the Sea of Fog conveys the awe-inspiring and sublime characteristics of nature. Through the thick fog, jagged cliffs and rocky mountains topped with trees emerge in the distance. While a figure is featured in the center of the canvas, his back is to the viewer, redirecting his or her gaze to the backdrop.
John Constable, The Hay Wain, 1821
John Constable, “The Hay Wain,” 1821 (Photo: National Gallery via Wikimedia Commons, Public domain)
British artist John Constable is renowned for his paintings of the English countryside. The Hay Wain—a piece often cited as “Constable’s most famous image”—conveys this favored subject matter. In the background, a cloudy sky is offset by bright green trees, while, in the foreground, horses are shown pulling a cart across a reflective river.
Katsushika Hokusai, South Wind, Clear Sky from Thirty-Six Views of Mount Fuji, 1830
Katsushika Hokusai, “South Wind, Clear Sky from Thirty-Six Views of Mount Fuji,” 1830 (Photo: Wikimedia Commons, Public domain)
South Wind, Clear Sky is 1 in a series of 36. Like its counterparts, this woodblock print presents a unique view of Mount Fuji. In each distinct portrayal, Japanese artist Katsushika Hokusai plays with color and perspective to offer a one-of-a-kind vantage point of the mountain.
Thomas Cole, View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow, 1836
Thomas Cole, “View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow,” 1836 (Photo: The Met via Wikimedia Commons, Public domain)
Often referred to simply as The Oxbow, this piece by American artist Thomas Cole juxtaposes wild nature with an idyllic, pastoral setting. According to the Metropolitan Museum of Art, Cole experimented with this contrast in order to “emphasize the possibilities of the national landscape, pointing to the future prospect of the American nation.”
J. M. W. Turner, Rain, Steam and Speed – The Great Western Railway, 1844
J.M.W. Turner, “Rain, Steam and Speed – The Great Western Railway,” 1844 (Photo: National Gallery via Wikimedia Commons, Public domain)
Like many works by J. M. W. Turner, Rain, Steam and Speed – The Great Western Railway acts as both a beautiful landscape and a study of light, movement, and color. While, in this particular piece, the artist’s focus is on capturing the speed of a train, the backdrop offers a show-stealing, nearly abstracted view of nature.
Claude Monet, Impression, Sunrise, 1872
Claude Monet, “Impression, Sunrise,” 1872 (Photo: Musée Marmottan Monet via Wikimedia Commons, Public domain)
Painted by Claude Monet and showcased in the 1874 “Exhibition of the Impressionists,” Impression, Sunrise gave name to the Impressionist movement. The oil painting is set in Le Havre, France, and offers the artist’s “impression” of the setting sun’s effect on the water.
Paul Cézanne, Mont Sainte-Victoire, 1885–1887
Paul Cézanne, “Mont Sainte-Victoire with Large Pine,” c. 1887 (Photo: Courtauld Institute of Art via Wikimedia Commons, Public domain)
Sainte-Victoire, a mountain in the South of France, remained Post-Impressionist painter Paul Cézanne‘s preferred subject matter for years. In his series of oil paintings portraying the landform, he experiments with different views, color palettes, and perspectives to produce a comprehensive look at the mountain and its surrounding landscape. In this depiction from 1887, he frames the scene with trees in the foreground and a village in the distance.
Vincent van Gogh, Wheat Field with Cypresses, 1889
Vincent van Gogh, “Wheat Field with Cypresses,” 1889 (Photo: Wikimedia Commons, Public domain)
Wheat Field with Cypresses by Vincent van Gogh features several motifs often explored by the artists in his landscape depictions. These include towering trees, swirling clouds, and rolling hills. In a letter to his brother, Theo, van Gogh describes the painting. “I have a canvas of cypresses with some ears of wheat, some poppies, a blue sky like a piece of Scotch plaid; the former painted with a thick impasto like the Monticelli’s, and the wheat field in the sun, which represents the extreme heat, very thick too.”
Want to see more famous landscape paintings? See our full list here.
David Hemer – “River Scene”
Sorry but this work has already been sold. may be willing to undertake a commission.
Acrylic on Canvas
W: 610mm x H: 457mm x D: 40mm
W: 24″ x H: 18″ x D: 2″
This work is framed (but can be supplied either framed or unframed)
About “River Scene”
The reflections and feeling of the countryside inspired me. The colours and textures were important to capture the mood.
David Hemer
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David was born in Johannesburg, South Africa and started painting in his early teens. After matriculating at Parktown Boys[0x1] High School, he studied for a degree of Bachelor of Architecture and graduated at the University of the Witwatersrand and still practises as a professional architect. David is completely self-taught and continued painting throughout his student days.
In early days when he started painting seriously, he concentrated on watercolours and had many exhibitions of his watercolour paintings. In later years he started exploring with Acrylics and now focuses mainly on that medium.
David’s love for nature, the sea, fishing, travel, together with his professional qualification as an architect all allow him to portray many different emotions in his work. He uses different techniques to capture the effects of light, colours, textures and reflections to portray a certain mood. His particular strength is the use of these techniques to paint both water and the sky. He often integrates his architectural foundation with his love for nature by incorporating characterful buildings into some of his landscape scenes. He has a passion for painting and it reflects in his work.
He greatly admires and takes inspiration from the work of the South African artist John Meyer.
David has exhibited locally and recently in Pretoria with the Architects as Artist Exhibition. Over and above the many collections in South Africa, he also has paintings in private collections in Australia, Ireland and Canada to name a few. David paints in his studio at home and wants to continue living his passion until nature stops him from doing so.
Bachelor of Architecture (Wits)
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