$92.97
Capturing nature through painted bushes
The Australian bush has its own unique light; a natural glow that pierces through the Eucalypt branches and radiates across the land. An artist who recognised this beauty, and consciously immersed himself in these images of the outback was Tom Roberts. He was a creative who captured the vastness of rural living and the raw tones of the landscape. Like so many of us, he was enchanted by the bush, and was a patriot that expressed his passion for rural living the best way he could, through his work.
As an artist, Tom Roberts was a skilled landscape and portrait painter, a member of the famous Heidelberg School of Arts, alongside his mates Arthur Streeton, Charles Conder, Walter Withers and Frederick McCubbin. These artists were dedicated to producing artwork that had a recognisable Australian flavour, art that truly captured the country’s essence, its unique moods and extraordinary geography.
Tom Roberts was born in England in 1856, and migrated to Australia with his family at the age of 13. He called Collingwood home and after working as a photographer’s assistant and attending night art classes, he returned to Europe at 25 to study art at the Royal Academy Schools. It was on a trip to Spain that he was introduced to the plein-air ‘impressionist’ technique (painting outdoors), a method that greatly influenced his work from that moment forward, positioning him as one of Australia’s greatest impressionists.
(Above Tom Roberts in 1895)
He established himself in a Melbourne studio and worked closely with friends and famous landscape artists Arthur Streeton and Frederick McCubbin. His paintings captured strong historical subject matter depicting rural life in Australia, and were a testimony to agricultural and pastoral scenes that were commonplace in the 19 th century.
In the 1890s Tom Roberts travelled far and wide to seek out new subjects and locations to paint. It was on the 25,000-hectare NSW property Brocklesby Station that he panted one of his most famous works in the process giving Australian art its own unique identity. ‘Shearing the Rams’ (Below – image courtesy NGV) depicts rural life on a sheep station, and celebrates the wool industry; Australia’s greatest export at the time. It’s believed that much of it was painted on location at the woolshed over a two-year period, a testament to the ‘plein air’ techniques that Tom Roberts developed while he was in Europe. It depicts the strong masculine shearers, and captures the hard labour and toughness endured inside the shearing sheds in the early days.
Tom Roberts settled with his Wife Elizabeth (Lillie) Williamson and son Caleb at ‘Talisman’, a small cottage they built on a property near Kallista, VIC. After Lillie’s death in 1928 he remarried her long-time friend, Jean Boyes. He passed away in 1931, at the age of 75, an artist who left a strong mark on Australian art, creating iconic works with a strong national flavour that allow us to reflect on aspects of rural life that seem so distant today.
Dan Marshall: Plein Air Watercolor: Capturing Nature
$92.97
Video Length: 1 Hour 56 Minutes
Category: Art, Capturing Nature, Landscape, Nature, New Release, PleinAir Painting, Watercolor
- Keep it in or toss it out? Dan shows you how to decide
- Capture the mood with just a few swishes!
- Let’s play Watercolor MythBusters!
- But what if you don’t see a cow…?
- How adding darks gives the feeling of light (who knew?)
- Brush size — and shape — matters!
- Don’t let the weather dampen your plein air plans!
- The way to add flair!
- Don’t work so hard — let the water do some of the work for you!
- Exactly what to do when inspiration sets in!
- A big variety of Dan’s easy-to-remember techniques that have silly names and will help you skyrocket your skills!
- And much, much more!
You’ve been there. You’re in a beautiful spot. You are so inspired that you take a picture with the idea of creating an inspiring painting.
But whether you do the painting on the spot (en plein air) or from a photo, it’s just not as inspiring as the scene you saw.
The reality is that it takes some special skills to translate the feel of a scene into a painting that shows your feelings.
For master watercolor artist Dan Marshall, there’s nothing more exhilarating than coming upon a landscape so inspiring that he’s overcome with the feeling that he just has to paint it!
For Dan, it’s a spiritual experience.
Though you want to capture this beautiful moment in time, your painting approach may not give you the results you want.
In this new instructional video, Plein Air Watercolor: Capturing Nature, Dan Marshall shows you how to take a complex scene and boil it down to the essentials. You’ll still keep the personality of the place, but he’ll show you how to enhance the mood to tell a more interesting story.
With Dan’s help, you’ll be seeing things differently and your focus will shift to creating paintings that are a personal translation, not a duplication.
The best part? Dan is going to rescue you from the dangers that mess up otherwise good paintings. He also shows you his unique, sometimes-unorthodox step-by-step method of painting. You’ll soon discover that Dan’s system is not limited to landscapes; you’ll find it useful in all subject matters — cityscapes, figurative works, whatever your passion is! And if you’re not a watercolor painter, you’ll find it can be applied to any medium.
Chapter Breakdown
Part 1: Painting Basics–everything you need to get started before you go outside, so when you go outside you can start painting with confidence. free yourself to think creatively while you are outdoors painting with these exercises under your belt.
- Painting Kit: review the materials you will need to paint outdoors, important notes on brushes and how to limit them and how much water you really need to bring.
- Tips & Techniques: learn how to manage your pigment to water ratio to get the value you want using paint consistency ranging from “tea to butter.” Learn wash techniques for smooth transitions and how to use your brush for best effects. Practice drawing with your brush to become more skillful at handling it. Composition tips for what naturally will work to make a great painting, so you aren’t overwhelmed when you go outdoors
Part 2: Painting Demonstration
- Subject Review: think about what you like about the scene, what draws you to it, what works or doesn’t
- Drawing & Composition: simple pencil lines that establish the subject on the paper
- Let Your Washes Run: translucent to opaque, back to front, thin to thick, big to little. discuss unity, color harmony, controlling the water, tips to let the watercolor work for you,
- Develop Main Shapes: learn how to see the scene (why looking dazed and crazed is a good thing!) how to increase the feeling of light by adding a dark, brush techniques revealed for easy realistic trees (and how you can use your fingers too!). connect shapes, glaze
- Finishing Touches
