“Susan Piedmont-Palladino provides wonderful insight into the various types and functions of drawings. This valuable book is both practical and inspirational and should be read by architects as well as students of design and others interested in built environments.”
Frederick Steiner, Dean, School of Design, University of Pennsylvania “No need to be an architect to appreciate this erudite, illustrated exploration of communication through drawing. Susan Piedmont-Palladino critically analyzes drawing types, purposes, pitfalls and history, from cave art to digital modeling. Yet her insightful, intellectually rigorous writing, often punctuated with ‘just-between-you-and-me’ asides, is witty and charmingly conversational.”
Roger K. Lewis, FAIA, Architect & Planner, Professor Emeritus, University of Maryland School of Architecture, Planning and Preservation, Columnist, The Washington Post “Susan Piedmont-Palladino has written a book about drawing unlike any other. She recounts her own discovery of the depth and diversity of architectural drawings, exploring analogies with language and finding parallels with art history. It is an accessible book and a deeply personal and philosophical one as well, and it is well worth the time it takes to read.”
Professor Thomas Fisher, Director of the Minnesota Design Center at the University of Minnesota “Piedmont-Palladino takes you on an unexpected journey into a world of groundbreaking scholarship illuminated with startling ‘aha’ moments and profoundly witty observations. She makes you think and she makes you laugh—sometimes sequentially, sometimes simultaneously. If you have ever seen a drawing or made a drawing, you will want to read this book. Now that I have read it, how I think about language and about drawing will never be the same again.”
Chase W. Rynd, Executive Director and CEO, National Building Museum ” How Drawings Work is an altogether marvelous contribution to the literature on representation. Moving with agility across a range of perspectives—aesthetic philosophy and linguistic theory, architectural history and professional practice, science fiction and commercial advertising—Susan Piedmont-Palladino crafts a series of insightful arguments on the changing nature of architectural communication.”
Nancy Levinson, Places Journal “Piedmont-Palladino understands how architects’ use tools not just to design but find our way through the world. This wise exploration expands our understanding of how and why architects communicate—to each other and those who inhabit our creations—and deftly challenges the false choice between the analog and the digital by reframing our understanding of both.”
Phil Bernstein, Associate Dean and Senior Lecturer, Yale School of Architecture and former Vice President at Autodesk “Susan Piedmont-Palladino’s boundless imagination shines in her new book. With grace and wit, she reveals the intellectually rich history of the architect’s most basic tool–the drawing. Utterly delightful.”
Lance Hosey, author of The Shape of Green: Aesthetics, Ecology, and Design
How to Draw The Elf On The Shelf Easy Step by Step Drawing Tutorial for Kids & Beginners
Today I’ll show you how to draw the popular Christmas time tradition…The Elf On The Shelf (Here he is on Amazon). We will guide you through the process of drawing this little elf with easy to follow-along with illustrations. Each step uses simple geometric shapes, alphabet letters, and numbers. Have fun and Happy Drawing!
Written-Out Step by Step Drawing Instructions
(Step 1) Draw an upside down letter “V” shape.
(Step 2) Draw a a sideways “C”-like shape.
(Step 3) Draw wiggly line for bottom of hat. Draw a curved line for the elf’s chin.
(Step 4) Draw a check mark shape for his bangs. Draw “C” shapes for ears.
(Step 5) Draw “V”-like shapes for hair.
(Step 6) Draw a curved line for his bangs. Draw a sideways “C” for his collar. Draw a sideways “C” and “D” for his eyes.
(Step 7) For the bottom of the left eye, draw a sideways “?”-like curve. Draw 2 lines for sides of his neck. Draw a “V” on his chest.
(Step 8) Draw ovals in the eyes. Draw “W” shapes for his collar.
(Step 9) Draw an oval in each eye. Draw curved lines on his arms.
(Step 10) Draw a curved line in the right eye. Draw an oval over the left eye…the part that is outside the eye can be erased (or not drawn). Draw a #7 shape for his leg.
(Step 11) Draw 3 curved lines on each eye for lashes. Draw 2 curved lines on each arm.
(Step 12) Draw a curved line for nose and mouth. Draw a backwards #7 shape for his other leg.
(Step 13) Draw a sideways “C” shape for his lip. Draw cloud shapes on his sleeves.
(Step 14) Draw tall upside down “U” shapes on his legs. Draw a “J” shape for his hand…make it a bit imperfect.
(Step 15) Draw some lines.
(Step 16) Draw 2 “L” shapes. Draw a line and a curve on mittens.
(Step 17) Draw a sideways # shape for his feet.
(Step 18) Draw a “J” and “L” shape.
(Step 19) If you have the chance, color him in.
How Drawings Work A User-Friendly Theory
How Drawings Work cheekily explains that what architects make is information that enables other people to make buildings. That information comes in a variety of forms: drawings by hand and computer, models both physical and virtual, and words as needed. The book reflects in witty prose on the nature of architectural drawings as tools of communication, pulling from a diverse and eclectic landscape of theories from grammar, functional linguistics, philosophy, art criticism, science fiction, popular culture, and, of course, architecture, to propose a new way to think about architectural communication.
Table of Contents
Biography
Susan C. Piedmont-Palladino is a professor of Architecture, Coordinator of Urban Design, and the Director of Virginia Tech’s Washington / Alexandria Architecture Center in Alexandria, Virginia, USA. She is also a curator at the National Building Museum in Washington, District of Columbia, and a registered architect in the Commonwealth of Virginia, USA.
