SPARKLING MORNING SNOW, Winter Painting, Snowy Forest Painting, Landscape In Oil, Winter Impressionism Painting
A wintry landscape of bare trees, snow, icicles, and and a tumbling stream are greeted by the morning sun in this original oil painting. The trees sparkle with melting ice droplets and a joyful winter day begins! In beautiful shades of yellow, violet, purple, blue, and brown. * Title: “Sparkling Morning Snow” * This oil painting measures 18″ x 24″ x 1 and 1/2 inches. * I use professional grade oil paint and archival quality canvas. * “Sparkling Morning Snow” has been varnished for protection and preservation. * The sides have been painted so no frame is necessary- ready to hang! * Certificate of Authenticity included.
Original Created: 2014
Details & Dimensions
Painting: Oil on Canvas
Original: One-of-a-kind Artwork
Size: 24 W x 18 H x 1.5 D in
Frame: Not Framed
Ready to Hang: Yes
Packaging: Ships in a Box
Delivery Time: Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling: Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From: United States.
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I’ve always danced to the beat of my own drummer. Ever since childhood I’ve been fascinated by the sea, loved to go to new places, have adventures and create artwork—from my own imagination as well as from life. I think that part of why I love the ocean so much is its movement and its infinite moods and expressions- the way it dances with sunlight and wind! When I’m by the ocean I feel such a deep sense of boundless freedom. Its beauty is never ending. It is powerful, mysterious, and cleansing to the soul to be near. Under the water is a whole new world that beckons to be explored. What light, water, waves, atmosphere, and wind can do together is nothing short of visual magic! I am also a professional dancer. To me, the ocean is the ultimate dancer of the elemental world. I am in love with the British Isles and Ireland, too—the people, the coasts, the folklore and Celtic music. I bring back stories from my travels and tell them in paint. I want to embrace, live, and share the magic of these wonderful places. I hope that when someone buys a painting from me and hangs it on their wall, that they too will be filled with that same sense of wonder and love that I felt being there. I’ve chosen to work in oil paint as opposed to other mediums because of their longevity and versatility. I want my paintings to last and be treasured for many years to come. Therefore all paintings have been painted using only professional quality oil paints and archival quality canvasses. It is a great honor and pleasure to share my work with you. Marguerite lives with her menagerie of 4 cats and 2 Shetland Sheepdogs- Angus and MacGregor.
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Winter Watermill Vintage Oil Painting Winter Landscape Snow Scene
An original 1980’s oil painting, framed and signed by the artist.
The setting sun lights the snow covered forest scene in yellow hues. An old watermill stands solemnly at the rivers edge, nestled among the trees.
The framed painting measures 18.5″ (47cm) tall x 22.5″ (57cm) wide overall and the cream painted wood frame is approx. 1 1/2 inches wide.
p1192
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Original Paintings and Prints
We started selling original abstract paintings to interior designers and private collectors in 2007 and have expanded our original paintings range to incude historical, portraiture, genre, landscape and still life works from a broad range of artists.
Our prints, frames and canvas panels are handmade in our Nottinghamshire workshop to the highest standards.
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Winter landscape oil painting > “January snow”
For the first time in several years I dared to go into a forest to paint en plain air in winter.
To paint when it’s cold is always harder. It seems no matter how well you dress you will freeze, because while working on a painting you almost cannot move. Your hands freeze most of all: it’s inconvenient to hold a brush in mittens or gloves and to lay paint on the canvas. And the paints themselves freeze and turn into a dense paste. They don’t mix very well and it’s hard to scoop them with a brush. One can’t remain in such conditions for long, so you need to invent a way to work fast and expressively.
The place I was painting at is a stable yard in a forestry. Its dark-grey buildings were contrasting shapes on the background of the snow. In this dark-grey color you can find a variety of colors. The blackish poles that were sticking up from the snow, which melted and froze again more than once this winter, are the trunks of the young trees and dry plants. I decided that I would paint a study with oil: dark shapes on the dark-white background.
The whole time I was working was unusually silent. The silence was only occasionally interrupted by rustles of birds and vague voices of infrequent passers-by from a distance.
Only when the painting was finished did I realize that the layers of the clothes on me had frozen. With bluish hands I gathered my instruments and quickly exited the forest. Seeing some familiar places reminded me of how I came skiing here as a child with my parents. When we were going back home afterwards, we made a short stop in a bakery and bought hot bread. It was like a trip back to my childhood, but this time I was not carrying skis but rather my painter’s case and a painting I had just created.
